Yes, I'm amazed there isn't a heavy tome dedicated to his work. He pretty much catalogued and defined graphic art in cycling from 1950-1975, without any equal. And as said up thread, it was not particularly well paid work, the scribblers who did the annotations apparently were unionised and got three times as much as Rebour per item. Poor fella, I just imagine him ink drawing by candlelight in some dingey top floor one bedroom flat in a rougher arrondissement of Paris...![]()