thanks adrian. glad someone gets it and has rallied to my side.
hoping others will as well.
I have seen others speak out on occasion to save an original.
I guess this one is my soapbox.
let me start by saying I mean no disrespect here. this is my plea for mercy.
rich did work at reckless, but went on to become paul's first painter.
besides paul that is. maybe at the time paul didn't have a place to paint.
who knows. I will have to do a bit of research in this area.
not sure on the time line, but my understanding is rich wasn't at brodie that long.
(maybe jimbotoad will chime in with additional info)
this is what makes his contribution so valuable to the history of brodie bikes.
some very cool stuff pre 1990 happened. after that unless it was a custom
paint job for someone, the majority of paint jobs, as good as they were
are pretty run of the mill. single colour or a two tone. nothing really special.
right now this bike is in very elite company. the likes of tony's jellybean,
the yellow/orange that won best mountain bike at harald's show this year
and my romax are a few of them to have survived.
to a brodie collector, the paint on this one is part of the intrinsic value of the bike.
if you go at it with a rattle can the end result will be the equivalent of
owning a painting of dogs playing poker over a mona lisa.
if painted there won't be any reason for me to visit this thread in the future.
won't matter what amount of bling you hang on it. the damage will have been done.
will become a mere shadow of it's former self.
why not just for once, check your idiosyncracy for perfection at the door
and leave this majestic beauty as is for all to appreciate for forever and a day.
isn't for the collector, not just about owning one of these beauties, it's also appreciating them?
clean it all up. get some red touch up and fix the chips. nuf said.