They're still out there, Fixies -- I typed "Rolleiflex" into eBay and found a couple in the US for sale (don't know if they were pre-war though).i believe in fixies":bo762a3s said:I had a pre war TLR Rollei Automat with an uncoated Tessar, wish I never sold it :cry:
JohnH":2l5opb7l said:They're still out there, Fixies -- I typed "Rolleiflex" into eBay and found a couple in the US for sale (don't know if they were pre-war though).i believe in fixies":2l5opb7l said:I had a pre war TLR Rollei Automat with an uncoated Tessar, wish I never sold it :cry:
JeRkY":2bjliub7 said:Whilst at home over Christmas I dug out my old slr. My father used to be a scientific photographer at warren springs and also for the geological survey. He has some nicer kit than my old ae1 laying around somewhere.
I did chuckle at that...i believe in fixies":2us6kza0 said:...I just can't justify owning any more infernal cameras, I can't move for the things.
jamabikes":2p4mzfde said:i used to do a bit of photography at collage with a film slr. can anyone recommend any where to buy and process 35mm film? does jessops still do it?
on a side note is it easy to age a camera? do they have serial numbers or date stamps? got a pentax k1000 and would be curious to find out how old it is. i bought it second hand in 99 ish.
JohnH":2p4mzfde said:I did chuckle at that...i believe in fixies":2p4mzfde said:...I just can't justify owning any more infernal cameras, I can't move for the things.
i believe in fixies":6rpj0prc said:Niiiice Super Ikonta, what's the lens? F3.5 8cm Tessar?
I love this era of pre and immediately post war Ikontas, uncoated or light single coated lenses which give lovely soft colours when you run C41 stock through them. It has that almost pastel effect to it.
I had a pre war TLR Rollei Automat with an uncoated Tessar, wish I never sold it :cry:
The Super Ikonta B's novel feature, for a folding camera, was its ability to autospace the frames. For a roll film camera in the 1930s, this was a very noteworthy feature. The photographer had only to line up the first shot, and the camera's film advance mechanism took care of the rest, positioning each frame automatically. That made the camera a bit quicker to use, especially in fading light where it sometimes is very difficult to see the number through the red window (personal experience). The photographer had to give up one frame, so each roll yielded 11 shots, rather than 12.