Re:
Ride report:
I have nearly got this build complete to my liking now, with just the Headset to be replaced and a couple of Brake Boss blanking plugs currently on order.
Some members on here may be aware that I am an advocate for fitting components that were manufactured later in history than the frame to which they are attached. Most of the components on this Score are from late noughties –
‘07 Reba forks,
’07 Hope Pro III Straight Pull / DT Swiss XR 4.2d wheels,
’07 SRAM 0X Shifters / Mech,
‘08 FSA Afterburner Mega Exo Crank, you get the idea.
I have however up until now avoided using mega wide bars that have become so popular with Trail Riding / All Mountain / Enduro et al….. Bear in mind that I am a skinny waif, with a whippet like stature most suited to spindly light weight Cross Country bikes.
So with this in mind, I purchased the widest bars that I presumed would suit the macho /aggressive stance of Kona’s flagship Out Of Bounds machine. A set of Truvativ Stylo T30 Riser Bars at a monster wide 710mm :shock:
. by
Philip Mock, on Flickr
. by
Philip Mock, on Flickr
Kona Score 040817DSF by
Philip Mock, on Flickr
On paper, the geometry and set-up of the Score generally shouldn’t suit my riding. When I was a mechanic in a LBS, I had the opportunity to ride many bikes, so I gained a broad breadth of experience of the more modern bike - I even bought one :roll: :!: :roll:. Colleagues in the shop often accused me of being “Retro-Bias”, when I found that I was never at ease on these newer machines with longer than 80mm travel forks – 450mm C-A. So the Score should be outside my comfort zone with its longer C-A. This is the reason that I overlooked (avoided?) this frame for my collection up until now. However, now that I have ridden a Score, I can say with certainty that there is something about the Score’s geometry that kicks those newer machines in the nads
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Ride details:
This higher front end / wider bar set-up makes me ride with a more ‘point and go’ approach – as opposed to picking my line that I am accustomed to with my nippier X.C. machines. Hopefully without over-egging it, I guess you could say that I adjusted to this somewhat different geometry & set-up with a more assertive boldness. You guys out there with more strength than I have may not understand what I am describing here, but I rely more on rhythm and momentum to crack out the miles, rather than pure power.
Onwards:
The Score has none of the wallowing gait that I previously experienced on that aforementioned modern bike that I own – my now decommissioned Maxlight XC Pro. A lovely bike, and those Rebas were fitted to it, but it felt like an ocean liner by comparison with its lumbering posture; this despite the Maxlight being lighter :? .
The rear triangle on the Score has beefier Seat & Chain Stays compared to my two 1997 King Kahuna frames. The Score’s Seat & Chain Stays are not only bigger than the K.K. in both height & width, but the Chain Stays are also ovalised towards the Bottom Bracket, while the K.K.s smaller Chain Stays are round and very slightly tapered. Somebody a little heavier than me may be able to benefit more from the heavier construction of the Score, but with everything else considered... well let’s just say I’m probably not built to push this frame to its full potential. Anyway, as I said earlier (Sat Jul 29, 2017 6:10 am) there is less horizontal flex across the Bottom Bracket, so this will help get the power along the chain to the rear.
The first proper ride out was my usual jaunt around the former Greenham Common Air Base. I remained sat down in 10th gear during the fairly steep climb up there, so we were pleased about that.
The Score does indeed have a more rigid feel to the back end compare to my King Kahunas and Hei Hei, and I had a blast of a time hurtling around the common. The more forward reaching set up reminds me of my 1998 Hot, which to this day remains a mystery as to why it (the Hot) feels like that – but we are loving it. The wider bars on the Score are a bit of concern when riding down narrow tracks, but out along the wider trails, it is a beaut of a machine. A round of applause.
. by
Philip Mock, on Flickr
. by
Philip Mock, on Flickr
. by
Philip Mock, on Flickr
Pip